Photo © Brian Benson   2016

Photo © Brian Benson 2016

The Art360 Project

Between 30 and 40 artists are selected each year to join the project. They comprise of artists from the Modern British canon (1900 – 2000) and contemporary artists active between 2000 and 2014.

The story of the project is shared on our website and showcases unique materials that are unearthed in the process such as selected documentation, drawings and images of artworks as well as filmed and recorded interviews and ephemera from the artists' careers.

Sign up to our newsletter or follow our updates on Twitter to hear announcements of new artists, events and when you can apply to participate in the Art360 Project. 

We are currently fundraising for a new round of open submissions. 

It is supported with a series of regional events and workshops to celebrate and promote the notion of 'soft cultural heritage' and legacy planning support for artists and estates across the UK.

It is vital not only to preserve the physical and intellectual contents of these artists’ archives but to empower them to be author of their own legacies. It should leave us all the richer." - Peter Heslip, Director,Visual Arts for Arts Council England

Art360 Project supporters

The Art360 Project is supported using public funding by the National Lottery through Arts Council England. It brings together the shared expertise of Art FundDACSThe Henry Moore Foundation and The National Archives.


Advisory board

The Advisory Board has the strategic role of binding the partnership together and allowing a forum for opportunities to be shared. It operates in a non-executive capacity and comprises the project’s funders and representatives of other key stake-holder groups. It offers oversight, advice, support and steering with issues.

The board members for the Art360 Project are:

  • Professor Stephen Foster, Director John Hansard Gallery, University of Southampton
  • Hannah Jones, Sector Development Manager East, The National Archives
  • Sir John Leighton, Director General, National Galleries of Scotland
  • Rosemary Lynch, Director of Collection Care, Tate
  • Dr Jo Melvin, Reader in Archives and Special Collections at Chelsea College of Art; Senior Research Fellow at the Henry Moore Institute 2015-16; Director of the Estate of Barry Flanagan
  • Sarah Philp, Director of Programmes, Art Fund
  • Godfrey Worsdale, Director, The Henry Moore Foundation

Board observers:

  • Peter Heslip, Director of Visual Arts, Arts Council England